The 7th Conference on AI Music Creativity

16–18 September 2026, Berlin, Germany

Concerts

Concert 1

  • Wahrheit. Freiheit. Dummheit. Bosheit. (Truth. Freedom. Stupidity. Malice.) by Oded Ben-Tal (Kingston University)
  • Distant Memories: A co-creative approximation to urban soundscape memory by Anna Gatzioura (Postdoctoral researcher)
  • Orbits and Bodies: A Live Audiovisual Performance with Bespoke Machine Learning Instruments by Bruna Guarnieri (Plantasia Space) & Gabriel Vigliensoni (Concordia University)
  • Adaptive Real-Time Spatialization for Live Saxophone Improvisation by Michael Ott (Conservatorium van Amsterdam, Amsterdam University of the Arts) & Atser Damsma (Conservatorium van Amsterdam, Amsterdam University of the Arts)
  • Compose/Decompose by Erik Nystrom (City, University of London)
  • The Allegory of the Cave by Thomas Boulousis (Kingston University London)

Concert 2

  • Glitching the Algorithm: Reclaiming Performative Agency through Real-Time Distilled AI and Experimental Fine-Tuning by Chenxi Bao (DynamiX), Baisen Wang (DynamiX), & Yuting Wu (Individual)
  • return 0: An Audio-Visual Performance of Memory and Countermemory by Yinuo Chen (King's College London)
  • Planting and Shaping the Neural Tree: Growing a Musical Collaborator Through Objective-Free Neuroevolution in Open-Ended Exploration by Fabian Ostermann (Technische Universität Dortmund) & Tim Löhde (independent)
  • Latent Jamming in Reykjavík Sunburn: Electronic Music Improvisation Employing Generative Neural Audio Synthesis by Martin Heinze (Independent Artists)
  • Latent Sampling: a PLAUD Performance by Błażej Kotowski (Universitat Pompeu Fabra)

Concert 3

  • Co-creative Practices in AI Improvisation: Redefining Agency in a Solo Performance by Ferdinando Romano (Conservatorio di Como)
  • sonic.snapshot by Ilia Viazov (Musikhochschule Lübeck)
  • The Fourth Man, for fretless electric guitar and real-time electronics by Adam Wilson (City University of New York)
  • Burnt Memories - Echoes of Datasets through Embodiement by Dominic Thibault (Université de Montréal) & David Piazza (Université de Montréal)
  • Ghosts in the Sophtar by Federico Visi (Luleå University of Technology)
  • Eigenform: A Neural-Feedback Hybrid System for Improvisational Electronic Music Performance by Nicola Casetta (Conservatory of Teramo)
  • Twisted Circuits | Rhythm Traces - III - For Buchla Music Easel, Musical Agent System, and Sonic Acceleration Box by Nicola Leonard Hein (University of Music Lübeck)

Audio/Video Contributions (pre-recorded)